A drop of sweat runs down the back, inside well-fitted shirts, while the whole body moves in an elaborate dance step. Voices echo in unison, chanting the songs of a dance party on the outskirts of a big city. From the speakers, the bass hits the chest and reverberates throughout the body.

Between documentary strategies of poses and dances at black parties and the psychedelic delirium of paintings on speaker boxes, this Estalo understands music and visuality as shares of the sensible capable of fostering identities that resist historical erasures. Photography appears here as an archival strategy, projecting into the future manifestations that, in some way, are ephemeral and fleeting while attesting to the culture of a time and space. Music and sound become a pretext for the experience of collectivity, embodied by belonging and pleasure.